![]() Keeping a pretty/organised timeline is not a justification often talked about for track-layout decisions, and depending on the scope of he production, the external sound facility is more likely then not to scrap all NLE level rough mixes and do their job professionally from the ground up. ![]() The other common reason for doubling A tracks when editing might be to increase level without venturing into previously unheard areas of the noise floor So the really easy LW option to copy sound tracks is important - and the ALT-k copy process avoid any misalignment. User hugly is right to point out in LW dynamic L/R tracking of a voice in the soundscape is best done with the sound on two tracks. rather than fiddle L/R positioning an editor might elect to copy sections of dialogue to both - to center it. In editing it is usual to have multiple mono tracks for actors' voices often those may set to somewhat preference left or right. Spatial positioning left/right near/far - building a soundscape - is a task for the sound mixing suite - or if finishing sound in LW as a one stop shop - is anticipated and planned for but delayed until later stages of the editing process - the right time, for example, to put in the SFX library stereo office environment and position foreground voices into the virtual space. Inter-cutting between two or more 'stereo' tracks in a dialogue scene would be potentially weird with inter cutting stereo background sounds rather than one hearing single sound environment in which people are talking/conversing. ![]() The aim is a good clean noise free mono recording into which ADR recorded fix-ups are easily inserted as necessary - One can imagine commentary inserts into a voice recording in simonhgr's work might be a reasonably common requirement. Certainly when recording actors on a set one actually wants to avoid spatial positioning of the sound. For 30 years, Lightworks has helped every type of video editor and creator imaginable from Oscar-winning Hollywood legends to. Lightworks is EditShare’s Academy and Emmy award-winning, professional Non-Linear Editing (NLE) software supporting resolutions up to 4K as well as video in SD and HD formats. It offers Hollywood-level editing for broadcasters and filmmakers, or anyone who wants to be one. Of course a mono track can be spatially positioned probably - more easily than a two track recording. Lightworks Pro is an easy-to-use yet powerful and versatile video editing tool for professionals and enthusiasts alike. In production performers voice recordings are almost invariably mono - a body worn wireless lavaliere mic or a directional swinging boom mic dedicated to that performer while they are delivering lines.
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